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Typeface
by workroom

Довольно логично, на первый взгляд. Пропорции знаков определяются геометрией и желаниями автора получить особую выразительность в наборе.

🎬———>> wwwwwwww

#typedesign #logico #custom #typeface
Fast Company Magazine Logo
by Mike Schnaidt and Rui Abreu

I chose to create a fresh logo using the versatile Grifo type family. I love how it’s thin areas feel sophisticated, yet it’s serifs are daring. I set the logo in Grifito, the more condensed version, and the small cap A and O in the wider Grifo. From there, I asked for some adjustments to harken back to the old Fast Company logo, and the type designer Rui Abreu modified all of the letterforms to be more harmonious.

#logo #editorial
The font’s name is Gorton

Эта картинка — анонс развернутого и богато иллюстрированного рассказа про историю шрифта Гортон. Прекрасное.

#typedesign #wow
Прекрасный образец шрифта стиля mis-serif. 😊

#typedesign #logico
Domaine
by order

The graphic type suite comprises a full A-Z uppercase alphabet, with 0-9 numerals. Its design is intended to blend the digital space Domaine occupies with the flexibility of their approach.

#custom #mono #typeface #pixel #identity
KGNU by order

KGNU (1390 AM & 88.5 FM) is a radio station serving the greater Denver and Boulder areas in Colorado.

LL Supreme Bold and Light, by Lineto→, are used for legibility and clarity in the brand.
Their construction mirrors the geometry of LL Cobra VIP.
LL Cobra VIP, also by Lineto→, is used as the primary identification of the logo, and as a graphic support to the extended brand language.

#typeface #identity
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Vietnam Festival of Media & Design: Hanoi 2019
by behalf studio

The highlight of the visual expression is its bespoke typeface and design system. Ba Đình, a bold geometric sans serif, is a juxtaposition of Hanoi’s culture and media/design contexts. We came up with a system that not only translates the idea of Hanoi as a multi-layered cultural city, but also realizes the potential of having multiple variations.

#custom #typeface
Playstreet, Inc. were a New York architecture firm reinventing children’s playgrounds in the 1960s through bold, modular design—and this was their letterhead. Created by Herb Lubalin’s agency, Lubalin, Smith, Carnase Inc, it was art directed by Annegret Beier and lettered by Tom Carnase.

#typography #old_good_things
2025/05/12 04:24:48
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