• мифическая аушка с тиивами, где Тилл в роли Орфея, а Иван в роли Эвридики зная миф про этих двоих, мне уже страшно представлять, что там будет дальше. хотя непонятно, художница полностью будет следовать мифу или что-то изменит в истории 🤔 так или иначе я рыдаю 😭
• мифическая аушка с тиивами, где Тилл в роли Орфея, а Иван в роли Эвридики зная миф про этих двоих, мне уже страшно представлять, что там будет дальше. хотя непонятно, художница полностью будет следовать мифу или что-то изменит в истории 🤔 так или иначе я рыдаю 😭
On February 27th, Durov posted that Channels were becoming a source of unverified information and that the company lacks the ability to check on their veracity. He urged users to be mistrustful of the things shared on Channels, and initially threatened to block the feature in the countries involved for the length of the war, saying that he didn’t want Telegram to be used to aggravate conflict or incite ethnic hatred. He did, however, walk back this plan when it became clear that they had also become a vital communications tool for Ukrainian officials and citizens to help coordinate their resistance and evacuations. This ability to mix the public and the private, as well as the ability to use bots to engage with users has proved to be problematic. In early 2021, a database selling phone numbers pulled from Facebook was selling numbers for $20 per lookup. Similarly, security researchers found a network of deepfake bots on the platform that were generating images of people submitted by users to create non-consensual imagery, some of which involved children. Soloviev also promoted the channel in a post he shared on his own Telegram, which has 580,000 followers. The post recommended his viewers subscribe to "War on Fakes" in a time of fake news. The account, "War on Fakes," was created on February 24, the same day Russian President Vladimir Putin announced a "special military operation" and troops began invading Ukraine. The page is rife with disinformation, according to The Atlantic Council's Digital Forensic Research Lab, which studies digital extremism and published a report examining the channel. Although some channels have been removed, the curation process is considered opaque and insufficient by analysts.
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