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В галерее «Высота» открыта персональная выставка Арины Лифановой, пропитанная ностальгией. Вход свободный.
Автор исследует советское прошлое, следы, сохранившиеся в городских пейзажах постсоветского пространства. Через образы обветшалых бетонных фигур Арина обращается к теме исчезающей памяти и утраченного идеала.
В галерее «Высота» открыта персональная выставка Арины Лифановой, пропитанная ностальгией. Вход свободный.
Автор исследует советское прошлое, следы, сохранившиеся в городских пейзажах постсоветского пространства. Через образы обветшалых бетонных фигур Арина обращается к теме исчезающей памяти и утраченного идеала.
The War on Fakes channel has repeatedly attempted to push conspiracies that footage from Ukraine is somehow being falsified. One post on the channel from February 24 claimed without evidence that a widely viewed photo of a Ukrainian woman injured in an airstrike in the city of Chuhuiv was doctored and that the woman was seen in a different photo days later without injuries. The post, which has over 600,000 views, also baselessly claimed that the woman's blood was actually makeup or grape juice. "There are a lot of things that Telegram could have been doing this whole time. And they know exactly what they are and they've chosen not to do them. That's why I don't trust them," she said. But because group chats and the channel features are not end-to-end encrypted, Galperin said user privacy is potentially under threat. But the Ukraine Crisis Media Center's Tsekhanovska points out that communications are often down in zones most affected by the war, making this sort of cross-referencing a luxury many cannot afford. Pavel Durov, a billionaire who embraces an all-black wardrobe and is often compared to the character Neo from "the Matrix," funds Telegram through his personal wealth and debt financing. And despite being one of the world's most popular tech companies, Telegram reportedly has only about 30 employees who defer to Durov for most major decisions about the platform.
from jp
