В Нижнекамском татарском драматическом театре представили спектакль «Борһан йорты»/«Дом Бургана» (16+) по пьесе Ильгиза Зайниева. Свою первую работу в качестве главного режиссера представила Лилия Ахметова. Она замахнулась на масштабную постановку в духе древнегреческой трагедии — если бы боги носили костюмы и майки. Подробности — в материале «Реального времени».
В Нижнекамском татарском драматическом театре представили спектакль «Борһан йорты»/«Дом Бургана» (16+) по пьесе Ильгиза Зайниева. Свою первую работу в качестве главного режиссера представила Лилия Ахметова. Она замахнулась на масштабную постановку в духе древнегреческой трагедии — если бы боги носили костюмы и майки. Подробности — в материале «Реального времени».
"There are a lot of things that Telegram could have been doing this whole time. And they know exactly what they are and they've chosen not to do them. That's why I don't trust them," she said. But the Ukraine Crisis Media Center's Tsekhanovska points out that communications are often down in zones most affected by the war, making this sort of cross-referencing a luxury many cannot afford. He said that since his platform does not have the capacity to check all channels, it may restrict some in Russia and Ukraine "for the duration of the conflict," but then reversed course hours later after many users complained that Telegram was an important source of information. The Russian invasion of Ukraine has been a driving force in markets for the past few weeks. In addition, Telegram's architecture limits the ability to slow the spread of false information: the lack of a central public feed, and the fact that comments are easily disabled in channels, reduce the space for public pushback.
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